Three movements, three breaths, three thresholds.
The material is made of paper, modelling paste and pigments, while acrylics hold its vibration and gold leaf transfigures it into light.

It is a trilogy that is not read but passed through:
the first movement is the root, the birth of form;
the second is flow, the unstable becoming that unites and divides;
the third is revelation, the glow that endures, what remains beyond the fade.

The surface becomes a score of being:
every mark a fragment of life,
every colour a memory,
every touch of gold a passage towards the invisible.

“Trilogia dell’Essere” is thus both journey and synthesis:
material becoming word, light becoming presence,
an existence that tells itself through painting.